2016 Movie and TV in Review

When we sit down at the end of the year and reflect back on 2016, it will probably be with an overwhelming sense of disappointment and anger. On the face of it, 2016 has been pretty much awful. There have been terrible natural disasters, questionable political decisions, so many celebrity deaths and a PowerPuff girls reboot. On the face of it, it seems that world has gone mad. But we have short memories. Our capacity for remembering negative things far outweighs our ability to recall positive things. So, I’m here to say that 2016 wasn’t all bad. I mean, yes, it was bad. Unspeakably bad. But, if you’re a television and movie geek like myself then 2016 has brought you some amazing gems.

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Why YA?

We all have guilty pleasures. For some it’s saccharine love songs while some secretly indulge in cheesy soap operas. For me, it became YA books a few years ago. HOWEVER, I have been coming out of the I’m-32-and-read-about-teens closet lately for one simple reason – YA has been getting so damn good!

I’m an eclectic reader but what I most enjoy is Fantasy, Sci-Fi and Magical realism (my poison of choice tends to be Urban Fantasy) and there is no getting around the fact that Young Adult and New Adult books have been rocking those genres in the last five years. That’s why this blog post will be mostly about those genres. I’m sure there is fascinating Crime, Romance and Historical novels in the YA sector but I’ve not read them. Nope, it’s new worlds, altered realities or dystopian futures for me.

I look at my Goodreads Read List and see titles like Daughter of Smoke & Bone, The Hunger Games, Red Queen, The Raven Boys, Divergent and The Diviners with the knowledge of that I have merely scraped the surface of what’s around and popular. I largely blame Tumblr’s many book bloggers and Youtube’s Booktubers for being so enthusiastic about these books and for showing off the gorgeous covers. (Honestly, they make them impossible to resist!)

But there is more to these books than great covers and all the hype. Let’s look at some of the Pros and Cons from my personal standpoint, shall we? (With the caveat that I’m generalizing, there are individual books who don’t adhere to this at all. Oh, and that I know that I am not the intended market and I don’t judge those who are. Read and let read, right?)

What these books tend to excel at:

  1. Braver plots, where difficult topics are usually not shied away from and mirrors are held up to show our actual world in all its ugliness and beauty.

  2. Less sex, which can be a pro or a con, but having seen some of the straight sex in fantasy novels – I personally don’t miss it.

  3. Greater diversity. Be it POCs or LGBTQIA+ characters, these books tend to have them and usually don’t make a big fuss about them being “different”.

  4. There is a pattern of getting on with the plot/action without getting bogged down with unnecessary description and background info. (Something especially adult fantasy books can be guilty of.) The plot in these books tends to be fast-paced and almost movie-esque.

  5. Growing an avid community of readers who obsess over and discuss the books and make great art in appreciation of it.

So, what do I feel are some of the cons of YA? (Once again, this is personal, I know some people who would list these as the Pros.)

  1. The characters being teens. This sounds harsh but I hasten to remind you that this is just from my personal viewpoint and I was never a fan of teens, even when I was one. For an adult, reading about the teenage angst and their different way of seeing life, can be… frustrating. But you soon get past it, and you might even become a bit nostalgic about when you saw the world like this.

  2. Love triangles. A lot of these books have them and I know I can’t complain as I myself loved them as a teen and that is the intended reader here. But I still roll my eyes at them and try to skip a few pages, which never works.

  3. Obvious (clichéd) love interests. The mysterious bad boy who has suffered and broods alone? The so called manic-pixie-girl with strange hair colour who is always thin and impulsive? Well, they tend to be a bit two-dimensional and done to death. But then I am a 32-year-old lesbian so what do I know. I should let straight (and pan- and bisexual) teenagers have what they want, I suppose. Le Sigh.

  4. Imagery. It can be overused and it can be repetitive. Yes, we get that her heart felt like a crushed bird or that his hair billowed in the wind like a wheat field during a storm. It was great the first time but you have said it ten times now, move on. (Am I starting to sound cynical here?)

  5. Sometimes the editing seems a little less firm than in adult novels. You find yourself quirking an eyebrow at POV breaches and repetitive word uses. But then, books for the younger generations have always shied away from the strict rules of their elders – look at the Beat generation, they would scoff at today’s innocent little POV breaches.

These are just some of my thoughts about YA Sci-fi/Fantasy but I’ll leave it there before I bore you all. Five of each category should do nicely. I’m sure you have books to read.

Now, I’m fully aware that I have just dipped my toe in the ocean of YA and that most of what I have read has been the mainstream choices, so please feel free to suggest any good diamonds in the rough or even better… YA Sci fi/Fantasy that is lesfic! Does that exist? Can I read a story where the strong but grumpy heroine ends up with the manic-pixie-girl love interest? No, I’m really not being sarcastic, I want to try it!

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If you see one musical this year…

This musical is, of course, based on Roald Dahl’s much-loved children’s book and opened in the West End in 2011 to much fanfare. Awards soon followed with 7 Laurence Olivier Awards, a record-breaking number, and 4 Tony Awards. And having just seen it I can honestly say that it deserves each and every one.

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Let’s end queer-baiting on our screens

AfterEllen.com has written a great article here on queer-baiting.

For the two people left on planet earth who don’t know what queer-baiting is – it’s that tiresome practice of television shows drawing in queer audiences by using subtext and hinting at a romance with no intentions of ever following through. Usually accompanied by “no homo” jokes to appease the straight audience.

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